Literary Press and Magazine Twitter Lists

A few months ago, I discovered the power of Twitter lists. Filtering what genre of tweet I read at one time is incredibly useful, especially when culling for blog post inspiration. But as I categorized my friends into lists, I realized my Twitter feed was appallingly light in some realms I really ought to be paying attention to. So, I started a project to build up the essential literary and digital publishing Twitter lists. As there are probably a lot of publishers with unbalanced friends lists, too, I decided to share.

My first two lists: literary presses and literary magazines, because it’s critical to keep track of what’s going on in the community.

@theinklesspress/literary-magazines (Currently following 162 literary magazines.)

@theinklesspress/literary-presses (Currently following 76 literary presses.)

While I tried to be thorough creating these lists, I undoubtedly missed many many presses and magazines. If you’d like yours to be added, please comment!

The Writer’s Presence

In today’s publishing climate, authors are expected to promote themselves. This increased responsibility put on authors by their publishers has contributed to the rise of self-publishing: if you’re going to be responsible for promoting your own book, you may as well also take more control in publishing it.

But unless you’ve already got major literary commendations under your belt, self-publishing is still considered code for “can’t find a publisher” in the academic literary world. Regardless of quality or commercial success, a self-published book would stick out like a sore thumb on my university’s faculty publications listing, and I doubt shorter self-published works would even be posted at all.

However, that doesn’t mean literary authors can’t take cues from self-publishers’ innovative and inundating methods of promotion. Why not have your publisher’s seal of approval and reap the buzz benefits of a strong authorial presence, too?

As you are marketing as if you’ve gone rogue, keep two things in mind:

1. To avoid feeling like self-promotion is obnoxious, don’t be obnoxious.

In a recent Writer Unboxed blog post, author Jael McHenry gave advice about how to promote yourself without blatantly telling people, “Hey, buy this!” This is the very same strategy I discussed in terms of Twitter etiquette.

Instead, if you build an online presence that’s authentic to who you are (see Nathan Bransford’s blog post about online branding), “Buy my book!” will automatically be the underlying message to every word you tweet or blog.

Which leads me to my second tenet of self-promotion:

2. Be prolific.

This is what has made the self-publishing success stories. You can have the most sincere, insightful writer’s blog out there, but no one is going to notice you if you post once in a blue moon and don’t tell anyone you’re doing it. Try various platforms to figure out which ones work for you, then use them as often and in as many ways as possible. Some options:

  • Blog. Blog about writing. Blog about reading. Blog about your daily life. Blog about your interests. Comment on other blogs. Invite guest bloggers or guest blog for someone else. Exchange blogroll links with other bloggers.
  • Tweet. Link to interesting articles. Respond to other tweets. Retweet great tweets. Talk about your day. Make funny comments.
  • Facebook.
  • Join Goodreads or another social reading or writing community.
  • Create a book trailer.
  • Post YouTube videos of your readings.
  • Start a podcast.
  • Use Tumblr.
  • Participate in online author Q&As.
  • Hold your own discussions.
  • Post excerpts of your work.
  • Hold contests.

By all means, don’t stop here. Be yourself, be present, and take some risks.

Twitter Etiquette

By now, you’ve probably heard the same piece of advice about effective Twitter marketing strategy in several different ways:

“If you’re at a dinner party and you’re talking about fascinating things, then everybody’s going to want to sit next to you. And they might repeat the things that you’re talking about to their friends. If you’re at a dinner party and you’re just talking about yourself, no one is going to want to sit next to you.”
–Andy Hunter from Electric Literature

But still so many literary magazine and press Twitter accounts seem to solely tweet about their own achievements. Those who are already your fans probably don’t mind your dinner party egocentrism, but it may interfere with attracting new followers. Successful tweeting is about finding your unique identity as a publisher and channeling it through 140-character comments and referrals.

Here are a few tweeters who’ve got it down pat:

Rebecca Skloot (@RebeccaSkloot)
14,098 followers
Rebecca Skloot is friendly to fans, compassionate, and has a sense of humor. Though the point of view of an individual account differs from an account representing an entire publisher, her tone and discussion of things she cares about is worth noting.

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London Review of Books (@LondonReview)
19,599 followers
LRB does talk about itself, but it’s frequently to link to blog posts that actually aren’t about itself, or to send us back to the best articles from its archives. Many of LRB’s non-promotional tweets could probably become LRB-published essays, which means readers are likely to be interested without feeling like they’re constantly being marketed at.


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Electric Literature (@ElectricLit)
151,076 followers
Finding more than 150,000 followers is no small feat. Electric Literature posts lots of links about cool literary stuff. Since they are a cool literary magazine, this makes sense. Are you sensing a trend yet?



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Graywolf Press (@GraywolfPress)
91,599 followers
Graywolf strikes a nice balance between promotional and non-promotional tweets with a personal approach, giving small details about life in the Graywolf offices and having conversations with individual followers.



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At the dinner party of Twitter, these guests are a hit. They make good first impressions through tweets that show their personality. And once followers are interested, they’re more likely to take the next step into post-dinner party friendship: reading your content.