Blog (and Tweet) Like HFR: Interview with Beth Staples, Part Two

Let us continue where we left off yesterday–the second half of my interview with Beth Staples, Hayden’s Ferry Review Managing Editor:

What has been the reception of the blog? What kind of readership do you have?
We get about 100 hits a day, and I get a lot of good feedback about it. I guess my one major problem with it is we don’t get a lot of commenters, which is incredibly frustrating. I feel like there are certain blogs that have sort of a culture of commenting, and our blog just isn’t one of those blogs. And I don’t know really how to change it, which has been frustrating. We’ll occasionally have all of the other interns comment on the blog in the hope that it will spark some conversation, but that doesn’t seem to really work either. We’re trying to be a lot better this semester about driving people to the blog. For example, one of the interns is doing a post on different form stories in literary journals. So we get new journals and she goes through them—and that’s one of our goals, to sort of support what other journals are doing too. So when she finds a form story, she writes about what it’s doing—so, for instance, there was a story in Black Warrior Review that was using charts and graphs to explain a relationship between two characters. So she wrote about that, and I asked her to send an email to them and say, “Hey look, we did this.” And ideally they would sort of come to the blog and hopefully comment on it. So I think we probably need to be more proactive about going out and driving people to the blog in that way.

Have you tried many survey-type posts that directly encourage comments?
Occasionally we’ll do something that’s like, “Please comment on this post!” and that generates maybe five comments. But then you look at a blog like HTMLGIANT where it’s a billion comments on every post. And I think their topics are more rousing—you know, they usually write about things that are controversial or really exciting. And the writing on that blog is more journalistic; the posts are much longer. And I think our blog is kind of like, “This is fun!” so it isn’t necessarily comment inspiring. Someone might write like, “Yeah, this is great—thanks!” So, I don’t know that it’s necessarily problematic; I can see when I check the stats that people are going to the blog. But I’m not sure that when people come to the blog they feel like the conversation that I initially was talking about as to why I started the blog—I don’t think that conversation is necessarily happening. And actually we’ve been having more conversations with Twitter. So that’s becoming more of a way to kind of drive content toward the blog, which has been really cool to see happen.

Can you speak a little more to how you’ve been integrating Twitter with the blog?
Well I owe it all to an amazing volunteer. She just totally trained herself on Twitter. As far as I’m concerned she’s a social media/Twitter genius. So she’s on there all day long, and she’s just made Twitter totally friendly. I mean obviously on Twitter we can communicate in real-time in a way you can’t on a blog, where we sort of post information and people can respond or not and then we can respond. But on Twitter she’ll post something and then people will respond, and using the hashtags she can kind of create a little conversation. And she’s super friendly, and she’s been good about trying to give people a behind the scenes peek at what’s going on here in a way that feels really informal and fun. So for example, we started asking people to tweet questions to us. And then we’d collect the questions and answer them on the blog. We’ve done that three times, I think. We did it once just with our editors, and someone asked something like, “What makes a piece of fiction get past the first round?” So we pulled all our editors and came up with the top ones and posted them, and that got a ton of conversation. And then for the second two questions, I think one was “Do you have advice for starting a lit journal?” And then the other was something else more administratively oriented. So we took the questions and pulled eight other literary journal editors, and then we collected them and edited them. Again—trying to get other literary journals involved, and hopefully making the Twitter followers feel like they can actually talk to us, even though we’re obviously collecting the information and editing it. But that drove some traffic to the blog. And we got a few more comments on those than we did on some of the other posts.

Do you have any specific advice for literary presses or magazines trying to start or revamp a blog?
I think the regular posting has been a godsend, because if you know you can sort of plan ahead of time, it takes some of the pressure off. And I guess the posts are sort of related in a way to our mission. You know, what is our mission: to support emerging writers. And then to be HFR oriented, but to also look outward to the larger literary community. So some posts are related to HFR, some are absolutely looking out at other journals, and some are just more like “How do you be a writer in the world?” kind of things. I think having some consistent posts in each of those categories and trying to continue them is helpful. And the voice thing, I sort of didn’t think too consciously about it, like “How do I want this blog post to sound?” Although I guess that couldn’t hurt if you had a sense of what the feel should be. And then I guess as far as driving traffic to the blog, it’s just reaching out and letting people know what you’re doing. If you’re going to be supporting what other literary journals are doing—you know, let those journals know that you’re doing that! I think we used to sort of put stuff up there and be like, “Yay!” but now that we’re contacting and letting them know, like “Look, we talked about one of your stories,” that’s actually creating more engagement.

Blog Like Hayden’s Ferry Review: Interview with Beth Staples, Part One

Hayden’s Ferry Review, the journal of literature and art out of Arizona State University, has a really great blog. So I sat down (yes, physically, on couches) with HFR Managing Editor Beth Staples to gain some insight into how it got that way. This is the first half of our talk, focusing on developing a blog identity and integrating interns as bloggers. Tune in tomorrow as well for more on reader interaction and social networking.

When and how did the Hayden’s Ferry blog get started?
The blog got started over the summer about three years ago, not long after I took over the journal. Summers are relatively quiet around here, as the students aren’t really around, and I think I had maybe one intern. I was just trying to think of a way to get people interacting more with HFR in general. Our website’s pretty static—it’s a university website, so it has a certain feel so it. And I was looking for a way to sort of create a space for conversation or just a more playful space, so the blog seemed like a good idea.

In terms of the playfulness, it seems like the tone of the blog has been pretty consistent since the beginning. How did you strike that note?
That’s interesting—I’m surprised to hear you say that actually. When it first started it was primarily me trying to come up with some content, and I was trying to think of things that were HFR related, but I didn’t want it to be all navel-gazing and “Look how good we are, and you should read this poem!” So I was trying to come up with stuff that was sort of literary but more fun, that would maybe draw people in who hadn’t heard of HFR, a place that they could just go and get some news, or get some information, or hear something kind of funny or fun. My sense is that the blogs that I return to or the blogs I know that people return to provide a very specific kind of information, but they’re generally entertaining—that’s why you would go there. So that’s how I was envisioning it, but then it just became too much work for me to do it every day. I mean, that first summer I was planning in advance, and I had a post going up every day, and I was finding topics like literary songs, and I was scouring the internet. And then when the semester started I just couldn’t do it anymore, so the interns have kept it up. It’s been kind of a challenge to get them trained and going and comfortable in the blog in just a semester’s time, and usually just when they’re comfortable is when the semester’s almost over.

How do you try to acclimate them to the blog?
One of the first things I have them do is a virtual scavenger hunt. I’ve kind of identified some of the things on the blog and the other social media sites that I think are pretty successful, so I have them go through and locate specific pieces of information so they sort of hit those things as readers. And then I ask them what they think is exciting about the blog or interesting about the blog. There have been a couple of regular posts that certain interns have picked up—we did one called “A Cup of Ambition,” which is interviews with people who have literary-like jobs, maybe some that you haven’t heard of. So that’s the kind of post that an intern can maybe do one in a semester, and it sort of feels continuous. So for the first “Cup of Ambition,” I think we interviewed a small press editor, and then an intern did a greeting card writer, and then someone else did a ghostwriter. They interview them using the same eight questions, so that makes it look like there’s some continuity even though…there really isn’t. And there are a few posts like that—a “Website of the Week” post that interns can sort of pick up, and we do a “News Around the Net” post every Friday, which just collects literary news. So I think those help establish some continuity, or at least the illusion of some continuity.

So you sort of establish the post categories as a way to have the interns get into a rhythm?
Exactly. And sometimes an intern will have a great idea and they’ll start a category, and then I’ll really want another intern to pick it up the next semester and it just doesn’t happen. My sense is that I don’t know that people actually notice that stuff. I’m hypercritical of it, because I want it to look like we’re on top of everything. But I think if you just read the blog, it probably appears to have more continuity than I feel like it does, just because I can sort of see the behind the scenes of it.

What is the interns’ process for blog post publication? Do they work in a rotation? Do they have to submit their posts for review first?
Usually I’ll just have them tell me what they think is going to be interesting, I’ll say yes or no and kind of lead them in a different direction, and then they’ll write a post. I’m usually really hard on them on that first post, trying to get it through several rounds of revision. Typically that first post is also like a retraining of their brain to write in blog voice—because blog voice is like the way you talk to a friend, y’know, your personality is important, which is the complete opposite of any academic writing they’ve ever done. The kind of thesis to closing paragraph thing is usually the first draft of the blog post. And then we have to sort of break that down and say, “You’re allowed to be you in this post and communicate what you think is interesting about what you’re talking about.” So that usually takes some retraining, at least initially.

 

The Writer’s Presence

In today’s publishing climate, authors are expected to promote themselves. This increased responsibility put on authors by their publishers has contributed to the rise of self-publishing: if you’re going to be responsible for promoting your own book, you may as well also take more control in publishing it.

But unless you’ve already got major literary commendations under your belt, self-publishing is still considered code for “can’t find a publisher” in the academic literary world. Regardless of quality or commercial success, a self-published book would stick out like a sore thumb on my university’s faculty publications listing, and I doubt shorter self-published works would even be posted at all.

However, that doesn’t mean literary authors can’t take cues from self-publishers’ innovative and inundating methods of promotion. Why not have your publisher’s seal of approval and reap the buzz benefits of a strong authorial presence, too?

As you are marketing as if you’ve gone rogue, keep two things in mind:

1. To avoid feeling like self-promotion is obnoxious, don’t be obnoxious.

In a recent Writer Unboxed blog post, author Jael McHenry gave advice about how to promote yourself without blatantly telling people, “Hey, buy this!” This is the very same strategy I discussed in terms of Twitter etiquette.

Instead, if you build an online presence that’s authentic to who you are (see Nathan Bransford’s blog post about online branding), “Buy my book!” will automatically be the underlying message to every word you tweet or blog.

Which leads me to my second tenet of self-promotion:

2. Be prolific.

This is what has made the self-publishing success stories. You can have the most sincere, insightful writer’s blog out there, but no one is going to notice you if you post once in a blue moon and don’t tell anyone you’re doing it. Try various platforms to figure out which ones work for you, then use them as often and in as many ways as possible. Some options:

  • Blog. Blog about writing. Blog about reading. Blog about your daily life. Blog about your interests. Comment on other blogs. Invite guest bloggers or guest blog for someone else. Exchange blogroll links with other bloggers.
  • Tweet. Link to interesting articles. Respond to other tweets. Retweet great tweets. Talk about your day. Make funny comments.
  • Facebook.
  • Join Goodreads or another social reading or writing community.
  • Create a book trailer.
  • Post YouTube videos of your readings.
  • Start a podcast.
  • Use Tumblr.
  • Participate in online author Q&As.
  • Hold your own discussions.
  • Post excerpts of your work.
  • Hold contests.

By all means, don’t stop here. Be yourself, be present, and take some risks.